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Designed by Ramos-Bassols
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based.
The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Finishes:
Stackable, steel base in chrome or lacquered matching seat colour, seat in polypropylene in white, black, beige or water grey or natural oak or stained black, optional seat pad upholstered in fabric and joining device
Dimensions:
W540 x D540 x H750 mm
Note:
Minimum quantity required
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Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.