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Designed by Ramos-Bassols
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based.
The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Finishes:
Stackable, steel base in chrome or lacquered matching seat colour, seat in polypropylene in white, black, beige or water grey or natural oak or stained black, optional seat pad upholstered in fabric and joining device
Dimensions:
W540 x D540 x H750 mm
Note:
Minimum quantity required
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Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing […]
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Paola is a simple but original seating project, the details make the difference and demonstrate how the design can always remain current over the years. Vico Magistretti, historic designer of universal designer projects, designs a chair with a solid yet exceptionally light appearance. The structure is in walnut or gray stained ash wood with a […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.