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Lazada
Designed by Angelo Natuzzi
The gentle curvature of the flexible back rest element of the Pikaia work chair is specifically designed to maximise the user’s comfort. Carefully supporting your back and spine, and responding to the curves of the human body, this is an ideal chair for even relatively long stints in the office. This chair is fully adjustable, moreover, and is very responsive to the touch, meaning that it can be adapted to suit the needs of the individual user
Finishes:
Swivel and height adjustable, base in steel in chrome or lacquered white, red, black or beige, polyurethane seat in white, red, black or beige
Dimensions:
W660 x D660 x H820-890 mm SH430-510 mm
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The Pikaia chair is designed to support the back fully. The curve of the backrest easily and comfortably follows the natural curve of the spine. The polyurethane shell, however, also allows for flexibility letting you lean back slightly. Like the human body is constantly in motion, the chair moves with it in a natural and […]
The gentle curvature of the flexible back rest element of the Pikaia work chair is specifically designed to maximise the user’s comfort. Carefully supporting your back and spine, and responding to the curves of the human body, this is an ideal chair for even relatively long stints in the office. This chair is fully adjustable, […]
$1,640
The Covent Chair displays a comforting simplicity, a warm embrace suitable for an evening around the dinner table or curled up with a book. Inspired by the geometry of Mondrian?s line work, its slim frame shows an asymmetry that defies its strength, presenting a floating cocoon of soft fabrics or leather. A chair that has […]
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.