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Lazada
Designed by Angelo Natuzzi
The Pikaia chair is designed to support the back fully. The curve of the backrest easily and comfortably follows the natural curve of the spine. The polyurethane shell, however, also allows for flexibility letting you lean back slightly. Like the human body is constantly in motion, the chair moves with it in a natural and supportive fashion.
Finishes:
Stackable, base in steel in chrome or lacquered white, red, black or beige, polyurethane seat in white, red, black or beige, optional joining element
Dimensions:
W510 x D500 x H830 mm
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The gentle curvature of the flexible back rest element of the Pikaia work chair is specifically designed to maximise the user’s comfort. Carefully supporting your back and spine, and responding to the curves of the human body, this is an ideal chair for even relatively long stints in the office. This chair is fully adjustable, […]
The Pikaia chair is designed to support the back fully. The curve of the backrest easily and comfortably follows the natural curve of the spine. The polyurethane shell, however, also allows for flexibility letting you lean back slightly. Like the human body is constantly in motion, the chair moves with it in a natural and […]
Kristalia is always proud to present the cutting edge of Italian design to the public and this rocking chair is very much part of that tradition. It is hard not to see this product as anything other than a potential design classic. Its flowing lines make this an ergonomically sculpted functional rocking chair that make […]
$2,790
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.