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Designed by Neuland. Paster & Geldmacher
A design chair that combines strength and beauty with practicality and reliability; Elephant, pushes the boundaries of innovation and sets new standards for design and usability. Despite its relatively short lifespan, Elephant has already received international recognition from audiences and critics alike, and was awarded with the “Best of Best Winners of the Interior Innovation Award†in 2012. The outer shell of the chair is, as its name would suggest, inspired by the powerful but smooth back of an elephant.
Finishes:
Metal legs in chrome, satin chrome or lacquered in matching seat colour, polyurethane seat in white, beige, black, terracotta brown, brown, olive green or light blue, optional removable seat cushion upholstered in fabric
Dimensions:
W620 x D600 x H840 mm
Note:
Minimum quantity required
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A design chair that combines strength and beauty with practicality and reliability; Elephant, pushes the boundaries of innovation and sets new standards for design and usability. Despite its relatively short lifespan, Elephant has already received international recognition from audiences and critics alike, and was awarded with the “Best of Best Winners of the Interior Innovation […]
This Elephant chair is a visual representation of the evolution of office furniture. More than just an office chair, the stylish and elegant design and cool and comfortable leather or practical plastic lining is reminiscent of a modern armchair, remodelled for the world of work.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
This armchair with an open backrest comes from TON’s traditional line of products. Typical are: its timeless shape and versatile usage.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.