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Lazada
Designed by Harry & Camila
Finishes:
Legs in natural beech or lacquered white or black, top in white or black laminate
Dimensions:
DIA780 x H1000 mm DIA1000 x H1000 mm
Note:
Minimum quantity required
0
A perfect combination of high quality modern materials and minimalist design, the sun lounger is ideal for the garden, but stylish enough to use indoors. The structure of the chair is formed from lightweight, durable aluminium which has been powder-coated to give protection against the elements. The covering is a mesh of braided polyester straps. […]
The Bcn high stool was the result of exploring how new materials can be used to create furniture. The main feature of the stool is the design of the seat. The seat was ergonomically designed by specialists to maximize comfort. The final shape required a huge developmental effort during the design phase. The stool is […]
Kristalia’s Rest outdoor chaise longue brings together the characteristics of comfort, efficiency, and durability. It has been crafted with fabric that can be used both indoors and outdoors. It also offers armrests for further comfort and can be stacked with other rest chaise lounge of up to 4 pieces.
The Bcn stool was the result of exploring how new materials can be used to create furniture. The main feature of the stool is the design of the seat. The seat was ergonomically designed by specialists to maximize comfort. The final shape required a huge developmental effort during the design phase. The stool is made […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
$3,400.00
Almost a visual trick, like a frame where mass and gravity is suspended, and the slim and delicate structure support the marble top, like a hovering platform.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.