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Designed by Simon Pengelly
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of bases and frames that increase possibilities for customisation and allow a broad spectrum of use in all kinds of spaces, settings and decorative styles. The result is essentially a collection of highly customisable chairs.
Finishes:
Swivel, base in aluminium with metal arms lacquered or in polished, upholstery in a selection of fabrics or leather
Dimensions:
W660 x D660 x H805 mm SH460 mm
Note:
Minimum order of 6 pcs
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Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
A design chair that combines strength and beauty with practicality and reliability; Elephant, pushes the boundaries of innovation and sets new standards for design and usability. Despite its relatively short lifespan, Elephant has already received international recognition from audiences and critics alike, and was awarded with the “Best of Best Winners of the Interior Innovation […]
Whatever you want out of a chair, it has to be comfortable, and it has to be stylish. The Elephant chair is both, and because it is available in plastic or with upholstered leather, you can choose a design that complements your current decor. Whilst not immediately apparent, the shape and form of this stunning […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.