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Lazada
Designed by Simon Pengelly
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of bases and frames that increase possibilities for customisation and allow a broad spectrum of use in all kinds of spaces, settings and decorative styles. The result is essentially a collection of highly customisable chairs.
Finishes:
Stackable, legs in metal lacquered or in chrome, seat and back in polypropylene, optional seat upholstery in a selection of fabrics or leather
Dimensions:
W560 x D510 x H805 mm SH460 mm
Note:
Minimum order of 6 pcs
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Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The Unnia SOFT collection originates in the combination of comfortable seats and upholstered backrests, with or without arms, with fixed or swivel bases. In keeping with the same philosophy applied to the rest of the Unnia family, seats and backrests can be combined with one or two fabrics to create original combinations.
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.