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Designed by Studio Inclass
Finishes:
Base in aluminium with steel column lacquered or in chrome, top in white laminate, lacquered MDF, HPL or in MDF with oak, wenge or walnut veneer
Dimensions:
DIA600 x H720 mm DIA700 x H720 mm DIA800 x H720 mm W600 x D600 x H720 mm W700 x D700 x H720 mm
Note:
Minimum order of 6 pcs
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Pau from Inclass is an innovative proposal of upholstered elements that can be combined to suit the dimensions and shapes of any space. The collection consists of sofas which are manufactured with or without backrests of different sizes that can be combined with wooden or upholstered arms. This variety of elements allows a greater formal […]
The Tao collection from Inclass is elegant, timeless and minimalistic.
Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]