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Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
legs in solid oak wood in natural or stained, upholstery in a selection of fabrics or leather
Dimensions:
W547 x D578 x H806 mm
Note:
Minimum order of 6 pcs
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Brew a coffee, sit back and let your imagination take you to the delights of a Parisian Boulevard café with the TNP from Kristalia. Introduce cool French design to your home with this classic outdoors iron coffee table. Originally produced for the Theatre National Populaire, the TNP bears the embossed logo of one of France’s […]
Rocking lounge armchair with teak base and powder-coated steel frame with C5M protective treatment, which makes it suitable for marine and pool areas. Available with two cushions options: either two small quilted pillows, one for sitting, one for the back, or one removable bi-colour cushion. A seat that allows the body’s total rest during outdoor […]
This armchair with an open backrest comes from TON’s traditional line of products. Typical are: its timeless shape and versatile usage.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.