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Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
Swivel, base in steel painted or in chrome finish, upholstery in a selection of fabrics or leather
Dimensions:
W606 x D581 x H809 mm
Note:
Minimum order of 6 pcs
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The foot rest of the Summer Set collection stands out for its essential and futuristic design, emphasized by a net structure, a weaving of metal threads customizable in different colors. It is the most comfortable and generous item of the entire collection. It is characterized by a comfortable and spacious seat, inviting to total relaxation. […]
Rocking lounge armchair with teak base and powder-coated steel frame with C5M protective treatment, which makes it suitable for marine and pool areas. Available with two cushions options: either two small quilted pillows, one for sitting, one for the back, or one removable bi-colour cushion. A seat that allows the body’s total rest during outdoor […]
Christophe Pillet has sculpted a chair with armrest for Kristalia, suited also to use inside, perhaps in a modern office or flat, as well as in a garden or on the patio of an al fresco restaurant. The chair is visually striking, not in colour, for it is both sensibly and starkly monochromatic, but in […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Naoto fukasawa develops a big pouf precisely by a small stone. A naturalistic form first tamed then alienated with the use of innatural colors.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.