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Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
Swivel, solid steel rod base in painted or chrome finish, upholstery in a selection of fabrics or leather
Dimensions:
W550 x D578 x H802 mm
Note:
Minimum order of 6 pcs
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Summer Set is proof that a simple chair can become something fun for decorating rooms, houses and public places.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
$1,130.00
$1,030.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
$1,180.00
Elegance, variability and an organic aesthetic, imagine sparkling water hiding fascinating, incredibly detailed mussels. Two crystal shells surround a light source nested in a precise mounting within either glossy anthracite or brushed gold tones. The glass shell carries a rippling patterned imprint. When lit, it creates the effect of light reflecting from a water surface. […]
$510.00
Wall lamps designed in 1962 by Charlotte Perriand for her mountain chalet in M?ribel in the French Alps.
The initial idea for DUCA was a light source able to take up where the concept of the classical bedside lamp had left off, reinventing its shape, combining it with a very soft, indirect light, of which it is almost impossible to perceive the source but which lights up the table and beside table area […]