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Designed by Christophe Pillet
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Finishes:
Swivel, solid steel rod base in painted or chrome finish, upholstery in a selection of fabrics or leather
Dimensions:
W547 x D578 x H806 mm
Note:
Minimum order of 6 pcs
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Summer Set base with flip-up top is a new element of the Summer Set collection and meets the need to save space when tables are not used and must be stored. These features, together with the essential and clean design of the table base, make it ideal for decorating the poolside of a restaurant or […]
The foot rest of the Summer Set collection stands out for its essential and futuristic design, emphasized by a net structure, a weaving of metal threads customizable in different colors. It is the most comfortable and generous item of the entire collection. It is characterized by a comfortable and spacious seat, inviting to total relaxation. […]
Inspired from the past, the truly thin structure brings an elegant lightness to a sturdy, precious handcrafted chair. From the back to the arm, it forms beautiful curves in three dimensions. The craftsman’s dedication to makes the Memory chair a precious piece to be treasured and to contemplate the wisdom of life in value and […]
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.