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Designed by Jorge Pensi
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from obtrusive and ephemeral forms, created with the aim of standing the test of time. The extensive range of this collection, lends itself for use in office spaces, reception areas, hotels, restaurants and it is also suitable for residential use.
Finishes:
Legs in steel painted or in chrome, upholstery in a selection of fabrics or leather
Dimensions:
W610 x D685 x H820 mm
Note:
Minimum order of 6 pcs
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The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
As strong as it is light and as sleek as it is versatile, the new Plana stackable plastic chair from Kristalia brings cutting edge Italian design to the home, office and garden. Offering great value for money the Plana is not only beautiful and comfortable, but practical.
Gata originates from a thorough search for balance between the different elements, shapes and diameters of the rattan cane in order to produce a comfortable and resistant seating, as well as an aesthetically harmonic one. Its lines flow smoothly to create a handle at the top of the backrest making its transport easier and bringing […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.