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Lazada
Designed by Masayuki Kurokawa
The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
Finishes:
Structure in wood with veneer in walnut, stained oak or smoke oak
Dimensions:
W3000 x D800 x H750 mm W2700 x D800 x H750 mm W2400 x D800 x H750 mm W2100 x D800 x H750 mm W1800 x D800 x H750 mm W3000 x D800 x H650 mm W2700 x D800 x H650 mm W2400 x D800 x H650 mm W2100 x D800 x H650 mm W1800 x D800 x H650 mm
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Pebble armchair is defined by its organic, voluminous forms that offering an ultimate relaxing, lounging experience just like sitting on a pile of pebbles. It embraces the user like a mother who are always generous and accepting.
The elegant AIR screen is a versatile piece: made of four detachable panels that can also stand individually, it can be used both as space divider or as decorative screen.
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
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The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
$1,190.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.