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Lazada
Designed by Masayuki Kurokawa
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the extreme attention to refined craftsmanship, an essential element of Asian design.
Finishes:
Structure in wood with veneer in walnut or stained oak, upholstery in fabrics or leather
Dimensions:
W600 x D580 x H705 mm SH450 mm W600 x D580 x H625 mm SH450 mm
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The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
The elegant AIR screen is a versatile piece: made of four detachable panels that can also stand individually, it can be used both as space divider or as decorative screen.
$1,980.00
Pebble armchair is defined by its organic, voluminous forms that offering an ultimate relaxing, lounging experience just like sitting on a pile of pebbles. It embraces the user like a mother who are always generous and accepting.
Simple and contemporary lines defines the Lana collection characterized by its versatility. With an upholstered seat and back for comfort and a structure in wood or metal, Lana becomes a perfect piece for any space. The shape of its backrest plays with volumes and intersects with the structure giving it a particularly interesting aspect.
Closer is an armchair with iron structure painted matt black and supported feather cushion with removable cover, fixed in the leather version. A slender but very solid metal frame welcomes the large and enveloping cushion with generous shapes, offering the maximum level of comfort.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.