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Lazada
Designed by Frank Chou
The simplicity, cozy and carefree style of VELD sofa is derived from a harmony of careful details and smooth lines. The sofa offers a fashionable look and relaxing modern experience with its unique details and grand space concept.
Finishes:
Legs in metal painted silk black, upholstery in fabrics or leather
Dimensions:
Sofa with 2 Arms W1900 x D1050 x H655 mm SH355 mm W2350 x D1050 x H655 mm SH355 mm Sofa with 1 Arm W1300 x D1050 x H655 mm SH355 mm W1400 x D1050 x H655 mm SH355 mm W1700 x D1050 x H655 mm SH355 mm W2000 x D1050 x H655 mm SH355 mm Centre Module W900 x D1050 x H655 mm SH355 mm W1200 x D1050 x H655 mm SH355 mm Corner Module W1050 x D1050 x H655 mm SH355 mm W1800 x D1050 x H655 mm SH355 mm W2100 x D1050 x H655 mm SH355 mm Chaise Longue W1700 x D1050 x H655 mm SH355 mm W2000 x D1050 x H655 mm SH355 mm Ottoman W1050 x D1050 x H655 mm SH355 mm
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Yaya supports the sitter with its subtle V angle on the seat and back following the body shapes while seating or leaning. As comfortable as it is stylish, YAYA adds a whimsical, playful twist to any room.
With its dramatic sculptural elements balanced by an overall minimalist, neutral styling, the Bold desk is an eye-catcher. Grouped cylindrical legs support a long, slender tabletop, making for an intriguing and elegant contrast.
$910.00
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$4,910.00
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.