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Designed by Christophe Delcourt
Table Tao is the quintessential of the French designer, Christophe Delcourt’s work, it is an homage to the spirit and the possibilities of wood. Sculptural, they define space as much as they are born from a subtle balance of intricate shapes of solid wood. Of infinite elegance, the tables offer a play on matter itself, alternating lacquered surfaces and raw wood.
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The Jom bed was created with the concept of the coromandel screen from the Tang Dynasty. It captures the traditional style of art and aesthetic while inheriting the function of sheltering, partition, and decoration. The fully upholstered bed creates a cozy feeling.
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg armchair resonates with a sense of modernism and tradition.
$5,930.00
The New Emma bed features elegant and sculptural lines well suited to modern interiors; the sleek headboard is sophisticated and comfortable enhanced with the warmth of the wood.
Matera is a table with metal structure and mdf top finished in a hand-brushed material finishes. Matera is an important table, two balanced stones that support a top, a perfect balance game that wants to be the protagonist of the dining area.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.