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Designed by Christophe Delcourt
Table Tao is the quintessential of the French designer, Christophe Delcourt’s work, it is an homage to the spirit and the possibilities of wood. Sculptural, they define space as much as they are born from a subtle balance of intricate shapes of solid wood. Of infinite elegance, the tables offer a play on matter itself, alternating lacquered surfaces and raw wood.
Finishes:
Feet in metal lacquered black, structure in MDF lacquered in a selection of colours with veneer in walnut or stained oak
Dimensions:
W2000 x D1050 x H744 mm W2200 x D1050 x H744 mm W2400 x D1050 x H744 mm
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Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
ARK sofa, inspired by the concept of an ark on the sea, features a striking wedge-shaped silhouette that seamlessly blends sculptural elegance with exceptional comfort. Crafted with memory foam and down feather filling, it provides an unparalleled seating experience, offering comfort so profound that it rivals the feeling of lying down.
NAGA is stylish, functional, fully lacquered ? except for its supporting structure ? and it displays a distinctive and refined personality that brings timeless modernity to any room.
Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
$16,200.00
Designed for both formal and casual settings, the details of Surface is refined with the plinth detail and the functional table top.
$5,940.00
Skylar is an example of how stunning its expressive shape exhibits craftsmanship and innovation. With its generous comfort defined by soft linear accents, Skylar creates captivating impression in any space.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.