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Lazada
Designed by Christophe Delcourt
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Finishes:
Base in solid wood with top in wood with veneer in walnut or stained oak, swivel plate in MDF lacquered in a selection of colours or in venato white or milano grey marble
Dimensions:
DIA2400 x H740 mm DIA2200 x H740 mm DIA1800 x H740 mm DIA1600 x H740 mm DIA1400 x H740 mm
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Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg armchair resonates with a sense of modernism and tradition.
Table Tao is the quintessential of the French designer, Christophe Delcourt’s work, it is an homage to the spirit and the possibilities of wood. Sculptural, they define space as much as they are born from a subtle balance of intricate shapes of solid wood. Of infinite elegance, the tables offer a play on matter itself, […]
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
Summer Set base with flip-up top is a new element of the Summer Set collection and meets the need to save space when tables are not used and must be stored. These features, together with the essential and clean design of the table base, make it ideal for decorating the poolside of a restaurant or […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.