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Lazada
Designed by Christophe Delcourt
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Finishes:
Base in solid wood with top in wood with veneer in walnut or stained oak
Dimensions:
W2400 x D1100 x H740 mm W2100 x D1100 x H740 mm W1800 x D900 x H740 mm W1600 x D900 x H740 mm
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Noa sofa is designed to deliver the extraordinary craftsmanship as well as the idea of folding space. The crisp tailored leather back bends over to the side creating a continious flow throughout the sofa with the versatility of the modular seating system.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg armchair resonates with a sense of modernism and tradition.
FUNGO side table’s lively design reflects a stylish and elegant attitude toward life. Its lacquered color separation and varying heights reflect the sophistication of traditional techniques and the diversity of contemporary design. The tray-like side table has the practical detail of a utensil and comes in a variety of colors and sizes.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
EARL bench, bearing the DNA gene of its family, is comfortable and a perfect to match with EARL chairs and tables.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]