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Designed by Christophe Delcourt
Sky collection is a sculptural yet functional piece.
Finishes:
Structure in wood with veneer in walnut or stained oak
Dimensions:
W550 x D550 x H500 mm
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NOA dining chair is both sleek and elegant. The tailored arm detail and crafted wood base provides a relaxed yet refined look.
The Koo Sofa pairs clean lines with a gentle sense of enclosure. Its recessed legs create a unique yet balanced silhouette, while the front view evokes the calm strength of a fortress. Designed to offer both physical support and emotional comfort, KOO is a sanctuary for the body and mind.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
$4,520.00
Introducing ALMA, infused with modern Asian aesthetics. The table legs, broader at the base and tapering upwards, embody a sense of balance and stability. Its intricate hollow structure echoes the essence of traditional Asian architecture and lamp design, showcasing exceptional craftsmanship. ALMA seamlessly blends traditional charm with contemporary materials and design, making it an iconic […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.