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Lazada
Designed by Christophe Delcourt
Sky collection is a sculptural yet functional piece.
Variation
Introducing ALMA, infused with modern Asian aesthetics. The table legs, broader at the base and tapering upwards, embody a sense of balance and stability. Its intricate hollow structure echoes the essence of traditional Asian architecture and lamp design, showcasing exceptional craftsmanship. ALMA seamlessly blends traditional charm with contemporary materials and design, making it an iconic […]
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Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Someone once said that ‘form follows function.’ This remarkable little Plana fabric chair, designed by Kristalia, follows that dictum to a ‘t’ with its smooth, solid lines, brave planes, and delightfully refined shape. Its light padding makes it exceptionally comfortable. This chair, with its esteemed and highly recognizable design, will not lose its powerful visual […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
This chair highlights the traditional shapes which give a very fine and elegant impression.