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Lazada
Designed by Christophe Delcourt
Finishes:
Base in solid walnut or stained oak, upholstery in fabrics or leather
Dimensions:
W560 x D536 x H811 mm SH450 mm
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Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
The Jom bed was created with the concept of the coromandel screen from the Tang Dynasty. It captures the traditional style of art and aesthetic while inheriting the function of sheltering, partition, and decoration. The fully upholstered bed creates a cozy feeling.
Noa sofa is designed to deliver the extraordinary craftsmanship as well as the idea of folding space. The crisp tailored leather back bends over to the side creating a continious flow throughout the sofa with the versatility of the modular seating system.
Table Tao is the quintessential of the French designer, Christophe Delcourt’s work, it is an homage to the spirit and the possibilities of wood. Sculptural, they define space as much as they are born from a subtle balance of intricate shapes of solid wood. Of infinite elegance, the tables offer a play on matter itself, […]
$6,190.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.