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Lazada
Designed by Sebastian Herkner
The once distinct functionality of each room in the house has blurred, with desks no longer confined to the study but seamlessly integrated into the bedroom and living room. The saddle leather tabletop showcases craftsmanship, while the structured metal legs reflect the clean, modern aesthetics synonymous with German design.
Variation
$740.00
The German word for Òhold, stay and lastÓ, Halten is designed to be a cherished companion for everyday life. In a home or hospitality setting, you can easily take it with you to pair with an armchair, sofa or pouf. The design reflects HerknerÕs impeccable eye for detail and proportion, his affinity for form, and […]
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
$1,540.00
The Mate tables by award-winning German designer Sebastian Herkner are created with the idea of becoming a companion in the daily life of its user, akin other objects that serve an inherent purpose in the everyday.
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Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
Designed by Philippe Malouin, Sacha is a fully upholstered dining or side chair. It is comfortable, yet brutal and geometric. The unique folded backrest provides the perfect resting angle for your back, allowing perfect support.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.