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Lazada
Designed by Sebastian Herkner
The once distinct functionality of each room in the house has blurred, with desks no longer confined to the study but seamlessly integrated into the bedroom and living room. The saddle leather tabletop showcases craftsmanship, while the structured metal legs reflect the clean, modern aesthetics synonymous with German design.
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Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
The Overlap sofa is inspired by the natural riff formations around island like the Maldives. A place of comfort and coziness defined by the shape of the backrest defining the seating area. Smartly proportioned with minimal detailing.
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Case by Sebastian Herkner is a collection of highback sofas that breathe a sense of calmness, concentration and comfort into everyday life in the workplace and in hospitality contexts. Though having a grand form, Herkner?s simple and slender line leaves the Case with a stringent and light expression without compromising on the comfort and function […]
$3,190.00
The lovely curve is elongated on the sofa and the ruffles in the fabric brings character and vibrance to the design.
A rational design of the metallic structure, made of extremely clean lines, contrasts with the soft comfort of the padding. Born from the need to have the maximum comfort in a minimum space. Sharp is a timeless small armchair, whose shap allows it to match even in a very small space. The metal frame with […]
An outdoor sofa but designed for the old aged and very noble art of conversation. In this sofa everyone can find his ideal depth of seating position and posture: more composed or more gently relaxed, depending on one’s temperament or the circumstances of the day. Ludovica and Roberto Palomba wanted Grand Plie to open up […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.