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Lazada
Designed by Hanne Willmann
The character of this design is the slight incline of a gesture of welcome and minimalistic architecture. The smooth chamfer on the edge of the wood platform base contrast the soft seam from the textile elements highlighting the characteristics of the materials. Due to the balanced, shape of the modules and the unique add-ons, it offers varied combinations for individual use, different room situations and lifestyles.
Finishes:
Base in wood with veneer in walnut or stained oak or lacquered volcanic grey, upholstery in fabric or leather
$650.00
An upholstered stool from the hug collection. Fully upholstered rounded elements that complement and embrace each other from every angle.
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Sio is a classically designed armchair with a modern appeal. The solid-wood frame is made of fine round timber, supporting a visually light saddle leather to create a unique relationship between two materials. Together, Sio armchair radiates a sense of modern romanticism.
Following the concept of the Salver collection, the side table continues to offer harmony and delicate detail. The chamfer on the edge of the table top and the skin-feel lacquer finish highlight the characteristics of the collection. Further more, the side table extend the flexibility of the collection, it works as a convenient laptop stand […]
From the front view, Yaya is in seating posture for you to sit on and pat. From the side, the silhouette presents a movement of running.It hugs the sitter with its subtle V angle on the seat and back to better follow body shapes while seating and leaning. As comfortable as it is stylish, Yaya […]
$2,260.00
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
This chair highlights the traditional shapes which give a very fine and elegant impression.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.