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Lazada
Designed by Sebastian Herkner
Experience the indulgent of comfort and sumptuous silhouette. The design of the Plaid sofa is defines by the geometric shape and proportion of the collection.
$0.00
Case by Sebastian Herkner is a collection of highback sofas that breathe a sense of calmness, concentration and comfort into everyday life in the workplace and in hospitality contexts. Though having a grand form, Herkner?s simple and slender line leaves the Case with a stringent and light expression without compromising on the comfort and function […]
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The name Limea is based on a type of shell. The idea of this design is to have a nicely upholstered shell elevated by a wooden structure. The shell upholstery is clean and precise, while the seat is soft and comfortable.
$2,890.00
Two elegantly-shining materials are combined to create the Cone Side Table. A brass ring props up the marble cone. Its perfect proportion adds beauty and uniqueness to the item.
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.