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Designed by Sebastian Herkner
Experience the indulgent of comfort and sumptuous silhouette. The design of the Plaid sofa is defines by the geometric shape and proportion of the collection.
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Case by Sebastian Herkner is a collection of highback sofas that breathe a sense of calmness, concentration and comfort into everyday life in the workplace and in hospitality contexts. Though having a grand form, Herkner?s simple and slender line leaves the Case with a stringent and light expression without compromising on the comfort and function […]
$360.00
Where elegance meets innovation – Iris. The Led portable lamp was designed by Sebastian Herkner. The durable glass shade with visible bubbles and elegant aluminum base seamlessly combines beauty and functionality, making it perfect for both indoor and outdoor use. With a simple touch, Iris comes to life, offering you a choice of three light […]
$450.00
The Sillon series of round mirrors, designed by Sebastian Herkner for &Tradition, takes its cue from the French Art Deco movement. Named after the French word for Ôgroove,Õ the Sillon series of mirrors is punctuated with a corrugated frame that contrasts beautifully with the smooth, reflective glass. Hang at different heights, alone or in decorative […]
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Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
Skylar is an example of how stunning its expressive shape exhibits craftsmanship and innovation. With its generous comfort defined by soft linear accents, Skylar creates captivating impression in any space.
A chair, inspired by the world of textile looms, with a very industrial aesthetic combined with the delicacy of the threads to create a subtle and elegant chair.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.