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Designed by Pearson Lloyd
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Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]
Pearson Lloyd’s London studio has created a project that intends to translate the immateriality of space into a physical fun shifting, fascinating and temporary reality. “Nebula “includes a series of separating flat elements, two-dimensional and graphic, but also architectural, three-dimensional and plastic ones. “Nebula” borders and divides, but at the same time connects and gives […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]
Quilt is born from a desire to go beyond the latest design fad, offering a system of cushioned sofas that fit perfectly into both the home and contract environment. Its quilted stitching immediately communicates a feeling of comfort and a sense of luxury. The sofa is available in different sizes with a chromed-steel base; the […]
Wickerwork is marvelous genre of art. This artisanal technique is the same all over the world. We can even claim that wickerwork is the first universal language of humankind: the language of hands. That is why we have done a lot of research on wicker and the weaving of natural materials. Tina and Pepe are […]
The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.