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Lazada
Designed by Christophe Delcourt
Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
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Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
Kat dining chair is a well-crafted and utilitarian design. The round edges and corners on the solid wood leg contribute a soft and quiet feel. The visible dark grey epoxy metal screws and rails add a touch of elegance. It’s a chair that does not call for attention but attracts you anyway.
Inspired by the square colosseum in Rome, were the arc shape of windows and the straight square shape of building live together. Roma coffee table collection comes in a set of three, with sturdy shapes that capture the beauty of architecture.
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A throwback to mid-century modern? Not quite. Extreme proportions lend themselves to an elegant and surprising form in this update to an old classic. The smooth, yet decisive, shift between slim and solid, which creates the Bukowski chair?s curvaceous legs, is played out like a lively dance with the material. Meanwhile the balance of the […]
Joui sideboard is inspired by the “Ruyi Collar” element of the classical Chinese cheongsam, a beautiful representative of “wish your dream come true”. The graceful, soft curves on the legs and corners share the wisdom of life. The lightness of the feet captures the dancers’ tiptoe. Together, the JOUI sideboard brings the sweet message and […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.