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Lazada
Designed by Christophe Delcourt
NAGA is stylish, functional, fully lacquered ? except for its supporting structure ? and it displays a distinctive and refined personality that brings timeless modernity to any room.
Finishes:
Base in solid wood with structure in veneer in walnut or stained oak, door in MDF lacquered in a selection of colours
Dimensions:
W2100 x D450 x H800 mm W1800 x D450 x H800 mm W1600 x D450 x H800 mm
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Introducing ALMA, infused with modern Asian aesthetics. The table legs, broader at the base and tapering upwards, embody a sense of balance and stability. Its intricate hollow structure echoes the essence of traditional Asian architecture and lamp design, showcasing exceptional craftsmanship. ALMA seamlessly blends traditional charm with contemporary materials and design, making it an iconic […]
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg armchair resonates with a sense of modernism and tradition.
Kun and Lun are addition to the Tearoom collection. They representing the tea culture both physically and spiritually. These pieces are yet versatile to be storage and shelving units in the dining and study as well. The pieces pair together the Asian philosophy of life and the essence of nature, representing a harmonious integration of […]
PLEGAT chest of drawers inherits the design concept of the collection. Natural material coexists with functions. Wood texture is delicate and elegant. Composite wooden columns stand on metal frame to show beauty and elegance of the cabinet.
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.