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Lazada
Designed by Christophe Delcourt
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg armchair resonates with a sense of modernism and tradition.
Finishes:
Structure in wood with veneer in walnut or stained oak or wood lacquered gloss black, upholstery in fabric or leather
Dimensions:
W740 x D775 x H735 mm SH420 mm
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NAGA is stylish, functional, fully lacquered ? except for its supporting structure ? and it displays a distinctive and refined personality that brings timeless modernity to any room.
The Jom bed was created with the concept of the coromandel screen from the Tang Dynasty. It captures the traditional style of art and aesthetic while inheriting the function of sheltering, partition, and decoration. The fully upholstered bed creates a cozy feeling.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
The simplicity, cozy and carefree style of VELD sofa is derived from a harmony of careful details and smooth lines. The sofa offers a fashionable look and relaxing modern experience with its unique details and grand space concept.
The character of this design is the slight incline of a gesture of welcome and minimalistic architecture. The smooth chamfer on the edge of the wood platform base contrast the soft seam from the textile elements highlighting the characteristics of the materials. Due to the balanced, shape of the modules and the unique add-ons, it […]
$1,830.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.