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Lazada
Designed by Sebastian Herkner
The name Limea is based on a type of shell. The idea of this design is to have a nicely upholstered shell elevated by a wooden structure. The shell upholstery is clean and precise, while the seat is soft and comfortable.
Finishes:
Base in solid walnut or stained oak, surround upholstery in leather, seat upholstery in a selection of fabrics or leather
Dimensions:
W800 x D815 x H685 mm
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The Overlap sofa is inspired by the natural riff formations around island like the Maldives. A place of comfort and coziness defined by the shape of the backrest defining the seating area. Smartly proportioned with minimal detailing.
$12,270.00
Experience the indulgent of comfort and sumptuous silhouette. The design of the Plaid sofa is defines by the geometric shape and proportion of the collection.
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
Angle’s collection of accent table collection with fine table top set on a slim metal base. The rounded top corner and the metal structure creates a set of unique angles. The designer plays with those angles and the negative space to achieve the light yet sturdy look. It is balanced, decorative and timeless.
Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the […]
$5,930.00
The New Emma bed features elegant and sculptural lines well suited to modern interiors; the sleek headboard is sophisticated and comfortable enhanced with the warmth of the wood.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.