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Lazada
Designed by Christophe Delcourt
The Jom bed was created with the concept of the coromandel screen from the Tang Dynasty. It captures the traditional style of art and aesthetic while inheriting the function of sheltering, partition, and decoration. The fully upholstered bed creates a cozy feeling.
Finishes:
Feet in metal painted dark grey, upholstery in fabric or leather, base board
Dimensions:
W2070 x D2140 x H1200 mm MH280 mm Necessary Mattress: W2000 x D2000 mm W1870 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1800 x D2000 mm W1570 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1500 x D2000 mm W1420 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1350 x D2000 mm
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Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
Beyond their clean design, the round and rectangular SUI tables celebrate the beauty and magnificence of a large piece of wood. The beautifully polished finish along with the strong and innovative design of the legs remain harmonious in both shapes, allowing SUI to be a key-piece in any living space.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
The Overlap sofa is inspired by the natural riff formations around island like the Maldives. A place of comfort and coziness defined by the shape of the backrest defining the seating area. Smartly proportioned with minimal detailing.
The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]