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Lazada
Designed by Christophe Delcourt
The Jom bed was created with the concept of the coromandel screen from the Tang Dynasty. It captures the traditional style of art and aesthetic while inheriting the function of sheltering, partition, and decoration. The fully upholstered bed creates a cozy feeling.
Finishes:
Feet in metal painted dark grey, upholstery in fabric or leather, base board
Dimensions:
W2070 x D2140 x H1200 mm MH280 mm Necessary Mattress: W2000 x D2000 mm W1870 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1800 x D2000 mm W1570 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1500 x D2000 mm W1420 x D2140 x H1200 mm MH280 mm Necessary Mattress: W1350 x D2000 mm
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Kat dining chair is a well-crafted and utilitarian design. The round edges and corners on the solid wood leg contribute a soft and quiet feel. The visible dark grey epoxy metal screws and rails add a touch of elegance. It’s a chair that does not call for attention but attracts you anyway.
$1,120.00
Ovo is both a contradiction and fusion of force._ It is more than a piece of furniture._ OVO is a statue filled with philosophy ? a tasteful furnishing with multiple functions._
Inspired by the terrace field landscape, and transfer that into the modern design. Nuage is a layered-back, welcoming, generously sized modular sofa collection with plump seats for comfort. It brings joy visually and physically to the urban lifestyle.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.