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Lazada
Designed by Rene Chyba
Erika collection started with modern minimalism style and finish with the oriental touch. The unique feature of Erika Slim is the use of new technologies and materials, representative of high-level industrial design. From this approach comes the versatile corner feet in die-casting aluminum, with a recognizable thin conical shape, which provides the products with elegance, lightness, and a floating sensation. The coffee table in wood or stone top and the drawers that opens from both side to provide storage. The original idea of a simple shape with an unruffled gesture is implemented, with an industrial approach, by creating a consequent and logical set of new product solutions for your living room.
Finishes:
Base in metal painted dark grey, structure in wood with veneer in walnut or stained oak, top in porcelain in nero marquina or calacutta white
Dimensions:
W1200 x D700 x H360 mm W1400 x D800 x H360 mm
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OSKAR collection diffuses an oriental charm in a modern and simple style. The accuracy of details, proportion, size, and stability introduces a unique power to the collection.
Inspired by flower petals and 3D modeling technology, CLARA table is unique and elegant. The design combines a marble tabletop and an exquisite base in smooth proportions. With its contrasting natural wood and shimmering gloss, CLARA exhibits a form both elegant and organic.
The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
$2,760
Named after the mythical Titan condemned to hold up the heavens on his shoulders, the solid legs of the Atlas coffee table stand strongly as support for the spacious tabletop. The meeting and contrast between the legs and the tabletop is central to the design, where each element exaggerates the other giving the table its […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.