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Lazada
Designed by Frank Chou
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
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Comfort and distinctive are the keywords for describing the Root lounge chair. The backrest is outlined with natural and organic curves, and the irregular hollow design flows freely, making Root an iconic piece. The chair feels like a hug thanks to its softness and fluffy back. It is an invitation to relax.
The Cuddle armchair draws inspiration from the oversized puffy down jacket, incorporating a meticulous piece-by-piece sewing technique. Thoughtfully crafted with channel quilting, memory foam, and down feather filling, it ensures a supremely comfortable seating experience, perfectly suited for a relaxed, laid-back lifestyle in contemporary living.
Pocky is a dining table with bold and sculptural forms. The pedestal base features a set of pillars that finished in colored lacquer, balance design and craftsmanship and also symbolized a happy reunion.
With its dramatic sculptural elements balanced by an overall minimalist, neutral styling, the Bold desk is an eye-catcher. Grouped cylindrical legs support a long, slender tabletop, making for an intriguing and elegant contrast.
NEW MANHATTAN combines modern and convenience in a distinctive sideboard. Its metal legs, exclusively designed for this collection, serve as both functional and decorative elements. They contrast elegantly with the wooden body of this magnificent piece.
PLEGAT chest of drawers inherits the design concept of the collection. Natural material coexists with functions. Wood texture is delicate and elegant. Composite wooden columns stand on metal frame to show beauty and elegance of the cabinet.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]