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Designed by Frank Chou
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
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$3,950.00
The Knot bed features classic check-inspired patterns, accented by vibrant, intersecting lines that bring a sense of freshness and rhythm to the design. As the bedroom evolves into a space for both intimacy and social interaction, the furniture selection must reflect the individuality and laid-back style of modern youth. The Knot bed’s innovative design, with […]
Comfort and distinctive are the keywords for describing the Root lounge chair. The backrest is outlined with natural and organic curves, and the irregular hollow design flows freely, making Root an iconic piece. The chair feels like a hug thanks to its softness and fluffy back. It is an invitation to relax.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.