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Lazada
Designed by Frank Chou
Finishes:
Structure in MDF lacquered in a selection of colours
Dimensions:
W380 x D380 x H500 mm
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The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
The Cuddle armchair draws inspiration from the oversized puffy down jacket, incorporating a meticulous piece-by-piece sewing technique. Thoughtfully crafted with channel quilting, memory foam, and down feather filling, it ensures a supremely comfortable seating experience, perfectly suited for a relaxed, laid-back lifestyle in contemporary living.
Pocky is a dining table with bold and sculptural forms. The pedestal base features a set of pillars that finished in colored lacquer, balance design and craftsmanship and also symbolized a happy reunion.
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
Bell coffee tables collection is distinguished by its full volumes, rounded details and vivid glossy lacquers. It creates a sense of fluidity and movement in the surroundings. Bell is designed to add a touch of style and functionality to living spaces, with the ability to combine and layer different sizes to create multipurpose compositions.
This clean lined and stackable wooden chair is ideal for home, hospitality and commercial environments. It’s lightweight look and subtle form offer a refined option to compliment most tables.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.