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Designed by Christophe Delcourt
Introducing ALMA, infused with modern Asian aesthetics. The table legs, broader at the base and tapering upwards, embody a sense of balance and stability. Its intricate hollow structure echoes the essence of traditional Asian architecture and lamp design, showcasing exceptional craftsmanship. ALMA seamlessly blends traditional charm with contemporary materials and design, making it an iconic piece of its era.
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Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
NOA dining chair is both sleek and elegant. The tailored arm detail and crafted wood base provides a relaxed yet refined look.
$1,130.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The thin sculptural folded back inspired by Origami; the paper folding art defines this modular sofa. The versatile modules, ignites your imagination to rearrange the sofa into any combination that suit your room and lifestyle.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.