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Lazada
Designed by Masayuki Kurokawa
The elegant AIR screen is a versatile piece: made of four detachable panels that can also stand individually, it can be used both as space divider or as decorative screen.
Finishes:
Structure in wood with veneer in walnut, stained oak or smoke oak
Dimensions:
W2090 x D310 x H1600 mm W1584 x D310 x H1600 mm W1047 x D310 x H1600 mm
$1,980.00
Pebble armchair is defined by its organic, voluminous forms that offering an ultimate relaxing, lounging experience just like sitting on a pile of pebbles. It embraces the user like a mother who are always generous and accepting.
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The wind desk breaks from traditional desk. With its wing-shaped legs and aerial, willowy structure, it recalls the motion of a bird flying in the sky, carried by the wind. The piece pairs together the oriental philosophy of life and the essence of nature, representing a harmonious integration of form and function.
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
$1,640.00
The Covent Chair displays a comforting simplicity, a warm embrace suitable for an evening around the dinner table or curled up with a book. Inspired by the geometry of Mondrian?s line work, its slim frame shows an asymmetry that defies its strength, presenting a floating cocoon of soft fabrics or leather. A chair that has […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.