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Lazada
Designed by Frank Chou
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
Finishes:
Structure upholstered in fabric or leather
Dimensions:
W655 x D585 x H795 mm SH460 mm
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Pocky is a dining table with bold and sculptural forms. The pedestal base features a set of pillars that finished in colored lacquer, balance design and craftsmanship and also symbolized a happy reunion.
The simplicity, cozy and carefree style of VELD sofa is derived from a harmony of careful details and smooth lines. The sofa offers a fashionable look and relaxing modern experience with its unique details and grand space concept.
$1,290.00
The Arco Dining Chair features slim, tapered solid wood legs paired with a beautifully curved leather seat and backrest, embodying a sleek and minimalist modern aesthetic. Whether in a dining room, home office, or executive suite, the Arco Chair offers upright, elegant seating, making it an ideal choice for any sophisticated space.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Kashmir collection is an exercise in the essential and makes a statement that?s more of a whisper than a shout. The steel frame of the Kashmir Chair calls to mind the simplicity of iconic Modernist furniture design, offset by a tailored back-rest, where the circular stitching detail brings in a subtle element of modern […]
$1,980.00
Pebble armchair is defined by its organic, voluminous forms that offering an ultimate relaxing, lounging experience just like sitting on a pile of pebbles. It embraces the user like a mother who are always generous and accepting.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.