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Lazada
Designed by Christophe Delcourt
Finishes:
Legs in metal painted silk grey, structure in wood lacquered in a selection of colours, top in marble, one drawer, wireless charger
Dimensions:
W1080 x D600 x H340 mm
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Sky collection is a sculptural yet functional piece.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
Kat dining chair is a well-crafted and utilitarian design. The round edges and corners on the solid wood leg contribute a soft and quiet feel. The visible dark grey epoxy metal screws and rails add a touch of elegance. It’s a chair that does not call for attention but attracts you anyway.
Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
Large, soft and geometric. Bowie?s headboard is a true boiserie that brings elegance, warmth and poetry to the bedroom. In the extended version on either side of the bed, the headboard ideally defines space for nightstands and end tables, creating an intimate and cozy corner.
Mellow sofa collection is inspired by layed clouds. It gently hugs you with its whimsical and layered back. The plump cushions provide good support allow you to lean back and relax.
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]