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Lazada
Designed by Frank Chou
The Arco Dining Chair features slim, tapered solid wood legs paired with a beautifully curved leather seat and backrest, embodying a sleek and minimalist modern aesthetic. Whether in a dining room, home office, or executive suite, the Arco Chair offers upright, elegant seating, making it an ideal choice for any sophisticated space.
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With its dramatic sculptural elements balanced by an overall minimalist, neutral styling, the Bold desk is an eye-catcher. Grouped cylindrical legs support a long, slender tabletop, making for an intriguing and elegant contrast.
The simplicity, cozy and carefree style of VELD sofa is derived from a harmony of careful details and smooth lines. The sofa offers a fashionable look and relaxing modern experience with its unique details and grand space concept.
The CUBE armchair, with its block-like form and absence of curved lines, embodies the Bauhaus movement’s core principles of simplicity and geometric design. This chair achieves a perfect balance between aesthetics and functionality. Its swivel base enhances practicality, offering smooth rotation, making CUBE an ideal choice for both residential and office environments.
Inspired by the square colosseum in Rome, were the arc shape of windows and the straight square shape of building live together. Roma coffee table collection comes in a set of three, with sturdy shapes that capture the beauty of architecture.
The EASE armchair boasts a sharp and simple design, with a square shape that embodies a neutral and elegant temperament. Its silhouette is solid and strong, while the interior offers a soft and comfortable experience. This sofa is crafted to provide users with an elegant and relaxing space, particularly suited for a study.
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]