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Lazada
Designed by Studio Expormim
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Finishes:
Structure in metal painted in a selection of colours
Dimensions:
DIA460 x H470 mm
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Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability.
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
Compact and easy to handle, with its cone-shaped legs and tops of lively colours, the Trio collection carries us back to the Mid-Century modern age. Its main appeal lies in the simplicity of its design as much as in its insouciant personality, a piece as funny and charming as practical and versatile.
$750.00
Quiet yet at full volume. Basic shape of the cylinder, with each part proportioned according to its function.
Rocco coffee table collection takes inspiration from the Stone Henge. The play with natural simplicity and sculpture resulting in both ancient and modern.
$990.00
Rooted in a shared form, the Kin Tables by British designer John Astbury explore the quiet strength of repetition and relation. Defined by their soft curves and sculptural presence, each piece in the collection is anchored by a pedestal base and a tabletop cut from the same formal language – yet rotated to create contrast […]
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.