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Designed by Studio Expormim
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Finishes:
Structure in metal painted in a selection of colours
Dimensions:
DIA460 x H470 mm
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Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm […]
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Beech rods bent according to a modern technology, seat shaped by modern production methods and contemporary design. The Tram chair connects everything that is typical for TON today. Its lines simplify any interior and are available in a version with armrests or upholstery.
Noss combines technology and innovation. A structural rope, harmonious and light, but at the same time robust and enveloping, characterizes the project in a perfect balance between the parts in which soft and welcoming lines embrace strength and solidity. For Noss, the balance between comfort, functionality and research for an innovative design joins technologically advanced […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.