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Designed by Studio Expormim
Compact and easy to handle, with its cone-shaped legs and tops of lively colours, the Trio collection carries us back to the Mid-Century modern age. Its main appeal lies in the simplicity of its design as much as in its insouciant personality, a piece as funny and charming as practical and versatile.
Finishes:
Structure in solid oak in natural or stained in a selection of colours
Dimensions:
DIA450 x H400 mm
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Reposo (rest), in physics, refers to an object being stationary. Everything around is subject to mutation except for it. With its undulant silhouette evoking sand dunes and its butterfly-like backrest, Reposo stares at the changing world without ever getting troubled. This unique self-awareness is part of its grandeur and yet its embrace feels as warm […]
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Padded modular piece. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
The 7 Pillows armchair is in solid beech wood, available in natural or painted, complete with 7 feather pillows with removable cover. This project was born with the desire to create a chair that tells how it is made, highlighting thecrafts, visible in the completely open structure, and communicating the simplicity with which it is […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]