Visit us in store for a wider selection of items not found online.
Lazada
Designed by Mario Ruiz
Variation
0
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
The seat section of uniform plywood is broken by the unconventional connections between the legs. The legs pass through the seat emphasizing the structural construction which is also a design detail. The effect is outstanding in the two-color version.
$2,330
In 1982, the designer Charles Pollock created a real design classic: Penelope. The American designer developed for Castelli a revolutionary chair from a technical and formal point of view: a steel-wire sled base supports a seat permeable to air which consists in a steel-wire fence coated with synthetic resin. The elastic effect of the base […]
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.