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Lazada
Designed by Mario Ruiz
Variation
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If there is something that defines the Kotai table collection, it is precisely its soundness, as its own Japanese name denotes. Made of solid wood, its most distinctive feature is the bevel alongside its four edges and the cleavage dividing it into two identical halves and highlighting the unique possibilities of this noble material.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
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Kiri is a set of round accent tables combining rattan with solid wood and lacquer in an aesthetically fluent dialogue. It may be difficult to imagine how such a supple material like the rattan used to shape the base can support the weight of the wooden tops, but the fact is rattan is actually strong. […]
$1,510.00
The TT coffee table and side table are inspired by the delicate balance between void and density, offering a sense of lightness and transparency. The sculptural base, paired with an organically shaped glass top, creates a striking visual contrast that enhances the overall design. This combination brings a harmonious balance, resulting in a piece that […]
Rattan is almost unique as a furniture material in that is requires no additional components to function, taking this material, Hayon created a series of frames that come together offering comfort and flexibility. “FRAMES is a happy new chapter to an old story, the old tale of craft and tradition within a new framework of […]
Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.